AI WEIWEI
About
It is with great pleasure that Louisiana, as planned, is able present an exhibition with Ai Weiwei and a number of the Chinese artist’s works from the years 2003-2010 – despite the authorities’ detention and isolation of the artist for several months earlier in the year.
Ai Weiwei (b. 1957) has to a rare degree alternated in his practice between traditional physical artworks, conceptual projects, social activities, design and architecture. This has given his oeuvre the character of a compass that registers the currents of the age in art globally, and stimulates discussions of the role of art in his native China.
Ai Weiwei expresses himself in a distinctive, simple formal idiom, in a dialogue with factual history and personal memory. His art relates to the universal human condition and insists on respect for the individual.
By using traditional Chinese materials and craftsmanship as well as modern industrial technology, Ai Weiwei’s works not only reflect and thematize the main currents of the twentieth century – its dreams and monuments; at the same time they attempt, like all living art, to leave a mark in the eternally flowing present.
The exhibition at Louisiana is showing three large, striking works: Forever, 2003, Fountain of Light, 2007 and Trees, 2009-2010, as well as a number of films.
Ai Weiwei (b. 1957) has to a rare degree alternated in his practice between traditional physical artworks, conceptual projects, social activities, design and architecture. This has given his oeuvre the character of a compass that registers the currents of the age in art globally, and stimulates discussions of the role of art in his native China.
Ai Weiwei expresses himself in a distinctive, simple formal idiom, in a dialogue with factual history and personal memory. His art relates to the universal human condition and insists on respect for the individual.
By using traditional Chinese materials and craftsmanship as well as modern industrial technology, Ai Weiwei’s works not only reflect and thematize the main currents of the twentieth century – its dreams and monuments; at the same time they attempt, like all living art, to leave a mark in the eternally flowing present.
The exhibition at Louisiana is showing three large, striking works: Forever, 2003, Fountain of Light, 2007 and Trees, 2009-2010, as well as a number of films.
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